91
E flat major
Sinfonien 1787-1789
Herausgeber: Andreas Friesenhagen; Reihe I, Band 14; 2010, G. Henle Verlag München
Hob.I:91 Symphony in E Flat Major
Symphony No. 91 in E Flat Major, the second of the symphonies written for the Loge Olympique as a follow-up to the Paris Symphonies and simultaneously delivered to the Prince of Oettingen-Wallenstein features many a detail which delight the connoisseur: the principal theme of the first movement is a two-part structure in double counterpoint at the octave, that is, the higher voice and lower voice are interchangeable in accordance with strict rules. In the intermediary episode other contrapuntal parts appear which are then brought to a joint culmination at the end of the movement. The second movement, a movement of variations, has several humorous effects, such as the long trills shortly before the end which sound as if the entire orchestra has got out of control. The final movement features additional compositional treats for connoisseurs: for example, specific segments are extracted from the main theme in order to be used then for accompaniment, etc.
Analysis

Analysis of the movements





Musicians

Musicians
Due to the unclear time of origin of most of Haydn’s symphonies - and unlike his 13 Italian operas, where we really know the exact dates of premieres and performances - detailed and correct name lists of the orchestral musicians cannot be given. As a rough outline, his symphony works can be divided into three temporal blocks. In the first block, in the service of Count Morzin (1757-1761), in the second block, the one at the court of the Esterházys (1761-1790 but with the last symphony for the Esterház audience in 1781) and the third block, the one after Esterház (1782-1795), i.e. in Paris and London. Just for this middle block at the court of the Esterházys 1761-1781 (the last composed symphony for the Esterház audience) respectively 1790, at the end of his service at the court of Esterház we can choose Haydn’s most important musicians and “long-serving companions” and thereby extract an "all-time - all-stars orchestra".
Flute | Franz Sigl 1761-1773 |
Flute | Zacharias Hirsch 1777-1790 |
Oboe | Michael Kapfer 1761-1769 |
Oboe | Georg Kapfer 1761-1770 |
Oboe | Anton Mayer 1782-1790 |
Oboe | Joseph Czerwenka 1784-1790 |
Bassoon | Johann Hinterberger 1761-1777 |
Bassoon | Franz Czerwenka 1784-1790 |
Bassoon | Joseph Steiner 1781-1790 |
Horn (played violin) | Franz Pauer 1770-1790 |
Horn (played violin) | Joseph Oliva 1770-1790 |
Timpani or Bassoon | Caspar Peczival 1773-1790 |
Violin | Luigi Tomasini 1761-1790 |
Violin (leader 2. Vl) | Johann Tost 1783-1788 |
Violin | Joseph Purgsteiner 1766-1790 |
Violin | Joseph Dietzl 1766-1790 |
Violin | Vito Ungricht 1777-1790 |
Violin (most Viola) | Christian Specht 1777-1790 |
Cello | Anton Kraft 1779-1790 |
Violone | Carl Schieringer 1768-1790 |
Medias

Music
Antal Dorati
Joseph Haydn
The Symphonies
Philharmonia Hungarica
33 CDs, aufgenommen 1970 bis 1974, herausgegeben 1996 Decca (Universal)




